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Writer's pictureTim

I've got the Blues

Updated: Nov 28, 2023

I try to keep the range of colours on my palette to a sensibly small number, because part of the fun of painting is mixing the colour. But I have a problem with blues. I have 4-5 tubes of blue, and I often dither about which one I should be using. Blue is most often used for sky, of course, but which blue makes for the best sky? Conditions play a part of course, because the nature of sky blue can change quite a lot based on the time of day, and the time of year.


A photo of the sky from a painting of the Sole Bay Inn in Southwold, Suffolk.

Frequently, I'll put more than one blue on my palette so I can decide which one works best. But then I have a problem because a few days later, I'll have forgotten which blue I have decided on. This is where a pen and paper comes in handy, but even if I remember to write down the blue of choice, another problem arises because on the palette, all the blues look pretty similar to me:


A photo of an oil paint palette with a range of blue paints smeared across it

No other colour is so difficult to distinguish on the palette. Except maybe if you've got a range of blacks or whites. Such little problems. Sometimes I think I need more shades of blue, just to confuse things even more. Well, I can't say I'm not spoiled for choice/confusion - here's the range of blues available from Winsor & Newton:


A screenshot of the range of blue oil paint colours available from Winsor and Newton. There are 16 circles in differing shades of blue.

You'd think some of these would be quite easy to distinguish on the palette. Perhaps so. Maybe I need to buy some more, just to check. My acquisition of every shade of the colour blue goes on...



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